Aristotle's nous is the great intuition we all use that derives from our ability to reason. Not only can we group animals by their similarities, deriving knowledge in the process, but we do this in a number of different ways, every day of our lives. Patterns surround us, which obviously aren't always material. How many times does one see a pattern in someone's behavior, or in the cycles of the business, grouping all our experiences into snug little categories that hold up our worldview? One may mistakenly think they are psychic, until an outlier inevitably comes along that dethrones their axiom that experiences have deemed true. Thus it stands that while the news allows us to know things as we gain experience, we cannot always be sure they are categorized correctly. Therefore Plato's Forms have more resemblance to truth than the nous, but it is through the nous that we find the Forms.
Thursday, September 29, 2022
Monday, September 26, 2022
A Comparison of Poems and Paintings
Leonardo da Vinci argued that painting was the most supreme of the arts, going after poetry in particular: "if you, o poet, tell a story with your pen, the painter with his brush can tell it more easily, with simpler completeness, and less tedious to follow." Points taken, brush-slinger. There are advantages to painting that would seemingly make it superior. But as we all know, taste is in the eye of the beholder. There are things a poem can do that a painting cannot. A poem can lead the reader's thoughts to places a painting cannot, which are sometimes places that cannot be physically represented. Poetry is more flexible in that it can incorporate events, ideas, and relationships more fluidly, so that the reader can relate with it on a more personal level. Rather than looking at a rigid scene, which can't be changed mentally or physically, the imagination creates a narrative in poetry, allowing it to freely create its own image(s) in the mind. That is why a poem can evoke more complex emotions and stories than a painting can. With a painting, you similarly have to put pieces together (if there is a narrative) in the image, so I don't really see it as simpler and less tedious to interpret. Abstract expressionists and cubists were just as obtuse as the most difficult poets are. Of course, these more modern painting styles did not exist in Da Vinci's time, but poetry had been around for centuries and had an incongruous evolution with painting. He might see it differently in today's world.
Another thing a painting can do is tell a more personal version of a story. A painting's rigidity means it can only be seen from the artist's viewpoint. With a poem, so many viewpoints are possible that it adds an extra dimension to interpretation; a completely mental one that only exists in the minds of each specific reader. So when we see a painting and read a poem that both express the same story, the poem will allow the mind to conjure a more appropriate image that is relatable, while the painting is restricted to the context the artist has shown. The advantage of the painting on this point is that it can open our minds to imagery we aren't familiar with.
Friday, September 23, 2022
The Meteors of Waste
Wednesday, September 21, 2022
Plato's Immortality and the Missing Piece of the Soul
Plato thought a body moving by its own will was evidence of its immortality. Because the soul moves the body, it is immortal and not the body itself. Only two things can move it; an outside force or an internal one. The internal soul is in perpetual motion, as its energy is neither created nor destroyed. It's a compelling argument that I never considered. Nothing moves the soul, not that we are aware of anyway. That is the only thing that could break the argument by its own logic. He also believed the soul had three parts: desire that motivates, spirit that competes, and intellect that reasons. He may have been the first personality theorist, for he believed everyone's souls are in balance among the three, creating individual personalities from different combinations. I find the idea lacking a critical symmetry. Based on the four elements, there would ideally be four essences of personality in classical terms. Desire is earth, spirit is fire, air is intellect, but what is water? Love; that is his missing piece of the soul. Which is ironic because he wrote about it so much. Love is what creates, in any context of the word. The soul creates relationships, works of art, modes of discovery, etc.; all based on its capacity to love.
Tuesday, September 20, 2022
Science's Ethical Dilemma, Da Vinci's Prolificness
The people experimenting on animals, who are only trying to improve the lives of humans, or worse, sell them pharmaceuticals based on scant evidence, are not doing this ethical dilemma any service. Logically there is nothing that makes animals ethically inferior to us, so why are we trying so hard to make them superior?
*Isaacson, Walter. 2017. Leonardo Da Vinci. Simon & Shuster: New York.
**He also helped pioneer cartography, topology, physics, and dentistry, which I hadn't known prior to reading Isaacson's biography. It's thought he would have stumbled on calculus two centuries before Newton and Leibniz if he'd been more educated at math.
Monday, September 19, 2022
Broome
Wet tide flats draping the sunny sands,
Stromatolites multidimensional,
Shadowing the prints of dinosaurs
At the crown of Australia-
Great archivist of tectonic forces.
Camels stride the layered beach,
Waves unseen beyond the tropical shield,
Blazing sunsets that seer the margin,
Casting ambivalent light on the ocean’s reflection,
Drawing forth a stairway to the moon-
Familiar sense of oddness in a land full of it.
Out there in the deep,
Where a spirit fell trying to reach it,
The moon watches as it sinks through the bathysphere,
One aboriginal among millions before,
Sinking, sinking to the depths,
Relinquishing the cause, destined to return,
When suddenly, out of the startling darkness,
Appear millions of bioluminescent forms,
Imitating the stars that would have been seen
Had the ascension been complete.
Oceanic universe, hidden under a sea of pearls,
Forgive this trespass, for you are subconscious reality,
A theory of metaphor patient for release,
Integrating sea and air for the land to exist.
Proof Against Material Possessions
The greatest problem with humans is that desires are tuned to illusion and not creation. Material attempts at reaching the infinite only prove how similar an activity it is to ascetics who have renounced worldly possessions. Those who seek the infinite inward instead of outward feel no need to gather wealth; all they need is already within their possession - the natural resources that bind the world together, not the manufactured fragments that tear it apart. Thus, it is proven by logic that material possessions are not the source of wisdom, only imaginary toys that infants play with on their journey to a higher self.
Sunday, September 18, 2022
Reinventing the Holiday Calendar: A Season-Based Approach
Thursday, September 15, 2022
Relibility and Falsifiability
In science, a universally held conclusion that is disproven means that we can never be 100% sure new conclusions are correct, for the mere perception of truth does not make it so. The prevailing paradigm of any given period, such as the Newtonian model of gravity- which held for two and a half centuries- is always vulnerable to being overturned. That is why when we say that evidence supports a theory, we should be saying that the theory has a high probability of being correct, not that we can conclude it is a law of nature.
This seems to be in conflict with Hempel’s assertion that there must be at least one law of nature in the explanation of any scientific conclusion (Kitcher, 410-411). A better way of saying this is that the laws of nature under certain parameters can be inferred through the process of induction. Newton’s model of gravity holds true under certain parameters while Einstein’s holds true under all parameters yet known, which doesn’t necessarily make Einstein’s model a law of nature, only that it has a higher probability of being one than Newton’s. As the number of parameters increase for any given theory being experimented on, the probability of its conclusion being proven or falsified increases. That is why Karl Popper’s falsifiability is so important; just as conclusions that would support a theory increase as more evidence is observed, they must be capable of being disproved proportionally, otherwise they could fit the profile of every parameter.
Despite this seemingly nihilistic conclusion, I believe there are things in science we can know. In our time, no scientist would deny that the Earth revolves around the sun. Once a theory becomes validated by enough testing, it slowly becomes fact or a law on its own, by virtue of passing every test that would falsify it. This is where I also disagree with Popper, who thought we should never stop trying to falsify a theory because we can never be completely sure that it’s true (Godfrey-Smith, 59). There seems to come a point when falsifiability is no longer necessary, otherwise science gets bogged down by inefficiency.
Godfrey-Smith, Peter. 2003. Theory and Reality: An Introduction to the Philosophy of Science. The University of Chicago Press, Chicago.
Kitcher, Philip. Explanatory Unification and the Causal Structure of the World. APUS, Phil202 Week 2 readings, 410-505.
Friday, September 9, 2022
Tuesday, September 6, 2022
How to Make a Helix in Matlab
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What twinkled starlight by the lake Led an icy apparition over the grass To your adobe mansion nestled in pines Such that fireflies surrende...